Database / Artworks

Artworks

1,198 records
Vase
Vase
Edith Lucas
Stoneware and glaze · 1950
Art Institute of Chicago
Bottle
Bottle
F. Carlton Ball
Stoneware and glaze · 1950
Art Institute of Chicago
Table Lamp, Model 110K
Table Lamp, Model 110K
Ridi Kolb
Brass, wood, and enameled aluminum · 1950
Art Institute of Chicago
Kanga
Kanga
Kassamali Gulamhussein
Cotton, plain weave; printed; both selvages present · 1950
Art Institute of Chicago
Richard Rogers and Oscar Hammerstein
Richard Rogers and Oscar Hammerstein
Yousuf Karsh
Gelatin silver print · 1950
Art Institute of Chicago
Somerset Maugham
Somerset Maugham
Yousuf Karsh
Gelatin silver print · 1950
Art Institute of Chicago
Sample (83.79.965/42.)
Sample (83.79.965/42.)
J B. Martin Company, Inc.
Rayon and acetate, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1950
Art Institute of Chicago
Sample
Sample
Mary Evans Landis
Linen, silk, and rayon, combined warp chevron twill weaves; main warp fringe · 1950
Art Institute of Chicago
Carpet
Carpet
Peter Collingwood
Linen and wool, double-faced complementary weft plain weave; braided wrapped warp fringe · 1950
Art Institute of Chicago
Panel (Formerly Used as a Curtain)
Panel (Formerly Used as a Curtain)
Dorothy Liebes
Cotton, silk, rayon and metallic strip encased in synthetic film, weft-float faced twill weave with bands of plain weave · 1950
Art Institute of Chicago
Woven Sample
Woven Sample
Marianne Strengell
Cotton and rayon, plain weave · 1950
Art Institute of Chicago
Woven Sample
Woven Sample
Marianne Strengell
Cotton, rayon and metallic strip encased in polyester film, plain weave · 1950
Art Institute of Chicago
Woven Sample
Woven Sample
Marianne Strengell
Rayon, warp-float faced twill weave with supplementary patterning wefts and self-patterned by areas of plain weave · 1950
Art Institute of Chicago
Sample (Automobile Upholstery Fabric)
Sample (Automobile Upholstery Fabric)
Marianne Strengell
Nylon, cotton, rayon and metallic strip encased in polyester film, warp-float faced satin weave with supplementary patterning wefts and self-patterned by weft-float face areas of main-warp and ground weft floats · 1950
Art Institute of Chicago
Sample (Automobile Upholstery Fabric)
Sample (Automobile Upholstery Fabric)
Marianne Strengell
Nylon, wool, cotton and rayon, warp-float faced satin weave with supplementary patterning wefts and self-patterned by areas of ground weft floats · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Woven Sample (Automobile Upholstery Fabric)
Woven Sample (Automobile Upholstery Fabric)
Mary Hammond Rodman
Nylon, cotton, metallic strip encased in polyester film, tied and free double cloth of plain weave backed by supplementary weft floats and plain weave self-patterned by areas of warp-float faced twill weave · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, wool, cotton, and jute, plain weave; knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Cotton, plain weave with wool yarns forming "hooked" pile · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, wool and cotton, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;"knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Linen, nylon, cotton, wool, modacrylic metallic strip encased in polyester film, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago
Rug Sample
Rug Sample
Marianne Strengell
Wool, cotton, linen, rayon, jute and nylon, weft-faced plain weave with weft bands of pile woven from woven fringe and chenille yarn ground wefts and by supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago
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