Database / Artworks
Artworks
The Destroying Angel
John Martin
Brush and brown and black watercolor, with touches of scratching, on cream wove paper · 1833
Art Institute of Chicago
...You Widow'd Solitary Thing
Thomas Bewick
Pen and black ink on cream laid paper, laid down on card · 1833
Art Institute of Chicago
Study
Denis Auguste Marie Raffet
Pen and iron gall ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on ivory wove paper · 1833
Art Institute of Chicago
Bathing of the Buddha Festival
Hua Ziyou
Hanging scroll, ink and color on silk · 1833
Art Institute of Chicago
The Pleasures of Hunting
Hablot Knight Browne
black chalk and watercolor · 1833
Cleveland Museum of Art
Jacob and Rachel
Christian Ernst Stözel
Engraving in black on ivory wove paper · 1833
Art Institute of Chicago
Montelius Dye Recipe Book with Printed Swatches (No. 11)
John Montelius, Jr.
Cotton, plain weave; printed; total of swatches: 96 · 1833
Art Institute of Chicago
The Blacksmith
Eugene Delacroix
Etching and aquatint in black on off-white wove paper · 1833
Art Institute of Chicago
Glen Rossie
Thomas Miles Richardson, the younger
Watercolor and gouache, heightened with lead white, and graphite, on brown wove paper, laid down on board · 1833
Art Institute of Chicago
Ichikawa Danjūrō VII as Watanabe no Tsuna and Segawa Kikunojō V as the Female Demon, in “Modori Bridge” (Modoribashi)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; surimono · 1833
Art Institute of Chicago
Reclining Nude, Back View
Eugene Delacroix
Etching in black on ivory laid paper · 1833
Art Institute of Chicago
Arabs of Oran
Eugene Delacroix
Etching, roulette and drypoint on ivory laid paper · 1833
Art Institute of Chicago
Low Tide, plate six from Six Marines
Eugène Isabey
Lithograph in black on light gray China paper laid down on ivory wove paper · 1833
Art Institute of Chicago
Near Dieppe, plate one from Six Marines
Eugène Isabey
Lithograph in black on light gray China paper, laid down on ivory wove paper · 1833
Art Institute of Chicago
Return to Port, plate two from Six Marines
Eugène Isabey
Lithograph in black on ivory China paper laid down on ivory wove paper · 1833
Art Institute of Chicago
The Daughter of Pharoah Finding the Infant Moses, from Illustrations of the Bible
John Martin
Mezzotint in black on ivory wove paper · 1833
Art Institute of Chicago
Seventh Plague, from Illustrations of the Bible
John Martin
Mezzotint in black on ivory wove paper · 1833
Art Institute of Chicago
Moses Breaketh The Tables, from Illustrations of the Bible
John Martin
Mezzotint in black on ivory wove paper · 1833
Art Institute of Chicago
Destruction of the Pharoah's Host, from Illustrations of the Bible
John Martin
Mezzotint in black on ivory wove paper · 1833
Art Institute of Chicago
A Lord from the Time of Francis I
Eugene Delacroix
Etching and drypoint on white wove paper · 1833
Art Institute of Chicago
The actors Iwai Hanshiro VI, Ichikawa Danjuro VIII as Kintoki, and Ichikawa Ebizo V as the woodcutter Nekko no Yokizo
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; shikishiban, surimono · 1833
Art Institute of Chicago
Christ with the Reed
Eugene Delacroix
Etching in dark brown on ivory laid paper · 1833
Art Institute of Chicago
Alfred Feydeau, from Etudes d'enfants
Paul Gavarni
Lithograph in black on ivory wove paper · 1833
Art Institute of Chicago
Chief Mohammed-Ben-Abou
Eugene Delacroix
Etching on off-white chine, laid down on white wove paper · 1833
Art Institute of Chicago