Database / Artworks
Artworks
Three Putti with Tambourines and Trumpets, Design for Lunette of the Sala delle Muse, Museo Pio-Clementino, Vatican
Tommaso Maria Conca, Italian
interiors, drawing — black chalk and black crayon on heavy cream paper, squared for enlargement · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Baptismal Font
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Studies for the Entombment of Christ
Giuseppe Passeri, Italian
figures, drawing — red and white chalk on blue paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for the Decoration of a Panel
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink, brush and brown wash on off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Inkstand
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash, graphite on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Altar
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Ornamental Vase Design
Jean Claude Thomas Duplessis, French
print — etching on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Wall Fountain
Giuseppe Valadier, Italian
architecture, drawing — graphite, brush and gray wash on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for the Decoration of a Panel
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash · 1775
Cooper Hewitt, Smithsonian Design Museum
Wall Fountain
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: cream laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Two Putti
François Boucher, French
print — etching on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Wall Fountain
Giuseppe Valadier, Italian
architecture, drawing — graphite, brush and gray wash on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for Ceiling Decoration, Four Allegorical Representations
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1775
Cooper Hewitt, Smithsonian Design Museum
Decoration of a Panel
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on cream laid paper, lined · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Baptismal Font
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Three Putti with Trumpets, Design for Lunette of the Sala delle Muse, Museo Pio-Clementino, Vatican
Tommaso Maria Conca, Italian
interiors, drawing — black chalk and black crayon on heavy cream paper, squared for enlargement · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Baptismal Font
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Terminus of an All e (or
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Baldacchino with Papal Ar
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Billard
Pierre Claude Delagardette, French
print — etching on off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Baptismal Font
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on lined off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
City Gate
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Altar
Giuseppe Valadier, Italian
architecture, drawing — graphite, gray wash support: laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Oval frame supported by two angels
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1775
Cooper Hewitt, Smithsonian Design Museum