Database / Artworks

Artworks

78,693 records by Paul Kelpe · Art Institute Chicago
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
My specialty was to make a peasants' haircut, but they obliged me work till midnight often
Mounira Al Solh
Hand and machine stitched embroidery · 2017
Art Institute of Chicago
No More No Less (Chicago) Model
No More No Less (Chicago) Model
Pezo von Ellrichshausen
MDF, paint, paper and wood · 2017
Art Institute of Chicago
Wiwa Stories (Historias Wiwa)
Wiwa Stories (Historias Wiwa)
Beatriz González
Color screenprint on white wove paper · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
LIMA – Metrò, La Uno Series, Freestanding Coffee Table
PIOVENEFABI
Stained concrete ®Silipol · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Black Spot
Black Spot
Norm Sartorius
Black and white ebony · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Pembury Estate
Pembury Estate
Stan Douglas
Digital chromogenic print mounted on Dibond aluminum · 2017
Art Institute of Chicago
Green Hills of Earth (2)
Green Hills of Earth (2)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Green Hills of Earth (1)
Green Hills of Earth (1)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Study (Uhuru Park III)
Study (Uhuru Park III)
Michael Armitage
Ink on paper · 2017
Art Institute of Chicago
Lake Chivero, August 31, 1972
Lake Chivero, August 31, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
acrobat with Ursa Minor by first light of day
acrobat with Ursa Minor by first light of day
Andrew Lord
ceramic, steel rod, gold leaf, and epoxy · 2017
Art Institute of Chicago
Workshop (Werkstatt)
Workshop (Werkstatt)
Thomas Demand
Chromogenic print · 2017
Art Institute of Chicago
The Equal and Inalienable Rights of All
The Equal and Inalienable Rights of All
Ann Hamilton
Blind embossing with reddish-brown pigment on white wove paper · 2017
Art Institute of Chicago
Go to pageof 3,279