Database / Artworks
Artworks
Design for the End Pier of a Table
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, over black chalk · 1537
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Speculum Romanae Magnificentiae
Antonio Lafreri
1535
The Metropolitan Museum of Art
Holy Family
Jacopino del Conte
Oil on wood · 1535
The Metropolitan Museum of Art
Saltcellar with scene of infant harvesters (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
Woodcut · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Agnolo Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
Close Helmet
Wolfgang Grosschedel
Steel, leather, copper alloy · 1535
The Metropolitan Museum of Art
Atalanta and Hippomemes, from "Four Mythological Scenes"
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Anne de Pisseleu (1508–1576), Duchesse d'Étampes
Corneille (Guillaume van Beverloo)
Oil on wood · 1535
The Metropolitan Museum of Art
Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)
Pirro Ligorio
Red chalk on beige paper (recto); pen and brown ink (verso) · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Mignon
Etching · 1535
The Metropolitan Museum of Art