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Artworks

Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art

Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art

Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art

Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art

Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art

Mars, Venus, and Cupid
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art

Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art

Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art

Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art

Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art

Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art

Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art

Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art

Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art

Elements of an Armor Garniture
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art

Falling Buffe for a Helmet
Wolfgang Grosschedel
Steel · 1530
The Metropolitan Museum of Art

Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art

Portrait of Pope Pius IV
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art

Lot and His Daughters
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art

Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Adriaan de Weerdt
Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, by the artist · 1530
The Metropolitan Museum of Art

Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art

Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art

Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art

Portrait of a Young Man
Agnolo Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art