
<p>Chicago artist Ivan Albright executed this grisly work for the 1945 movie adaptation of Oscar Wilde’s 1891 novel <em>The Picture of Dorian Gray</em>. In Wilde’s tale, a portrait of the young and attractive Gray decays as the protagonist leads an increasingly wayward life, recording the extent of his moral corruption in paint. Having established a reputation for capturing the macabre, Albright was the ideal choice to create such a horrific image that both attracts and repulses its viewers. The portrait appeared in vivid Technicolor, within the otherwise black-and-white film, causing a sensation. When Albright’s canvas was exhibited at the Art Institute later that year, the Chicago Tribune reported that the museum “is having a heck of a time handling the crowds flocking to see his painting.”</p>
Catalogue
- Year
- 1943
- Medium
- Oil on canvas
- Dimensions
- 215.9 × 106.7 cm (85 × 42 in.)
- Collection
- Art Institute of Chicago
More
More by this artist
Self-Portrait
1982 · Charcoal, colored pencils, and black crayon on hardboard
Hail to the Pure
1976 · Black chalk with stumping, graphite and black crayon, with scraping on clay-coated off-white, wove paper, fixed
This is Jill
1975 · Black crayon and graphite, on white clay-coated wove paper
Pray for These Little Ones (Perforce They Live Together)
1973 · Oil on silk
A Face from Georgia
1970 · Oil on canvas
Three Trees, Georgia
1969 · Watercolor and gouache, with brush and black ink, on white, clay-coated wove paper
Record
Verified by WattsOS- Year
- 1943
- Medium
- Oil on canvas
- Dimensions
- 215.9 × 106.7 cm (85 × 42 in.)
- Watts ID
- WW-1943-013702
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified
Explore
More Oil on canvas works →




