Artworks · William Blake

Songs of Innocence and of Experience: Infant Sorrow

1794 · Relief etching on paper

image: 112 x 97 mm

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‘Songs of Innocence and of Experience’: ‘Spring’

1794 · Relief etching on paper

image: 115 x 79 mm

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‘Songs of Innocence and of Experience’: ‘Infant Sorrow’

1794 · Relief etching on paper

image: 112 x 97 mm

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‘Europe’: Fragment of Pages 3 and 4

1794 · Relief etching and watercolour on paper

support: 92 x 166 mm

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Urizen

1794 · Monotype, with pen and brown and gray inks and watercolor, on cream wove paper

17 × 12.7 cm (6 3/4 × 5 in.)

Art Institute of Chicago

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//plate inked with black from card

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//pulled on colored background, madeby rolling up the other side of the plate with inks and running it through the press

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//intaglio print

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//plate inked from a very stiff piece of card with ink rolled on to that in graduated color

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//plate inked by transferring ink from another plate thinly coated with ink

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//effect of inking with an ordinary gelatin roller

National Gallery of Art

Los Supporting the Sun [recto]

1793 · graphite

overall (approximate): 18.5 x 13.2 cm (7 5/16 x 5 3/16 in.)

National Gallery of Art

A Crouching Figure Holding a Shield [verso]

1793 · graphite

overall (approximate): 13.2 x 18.5 cm (5 3/16 x 7 5/16 in.)

National Gallery of Art

Saint Augustine Converting King Ethelbert of Kent

1793 · graphite on laid paper

overall: 28 x 40.5 cm (11 x 15 15/16 in.)

National Gallery of Art

Restrike from fragment of cancelled plate for "A Prophecy"

1793 · relief etching//restrike

National Gallery of Art

Fragment of cancelled plate for "A Prophecy" [recto]

1793 · relief etched copper plate

plate: 8.1 × 5.87 cm (3 3/16 × 2 5/16 in.)

National Gallery of Art

The Penance of Jane Shore in St Paul’s Church

1793 · Ink, watercolour and gouache on paper

support: 245 x 295 mm

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Los and Orc

1792 · Ink and watercolour on paper

support: 217 x 295 mm

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An Armed Man Spurning a Woman [recto]

1790 · graphite on laid paper

overall: 30 x 23.3 cm (11 13/16 x 9 3/16 in.)

National Gallery of Art

The Infant Hercules Throttling the Serpents

1790 · graphite

overall (approximate): 19.2 x 14.2 cm (7 9/16 x 5 9/16 in.)

National Gallery of Art

The House of Death

1790 · Graphite, ink and watercolour on paper

support: 318 x 451 mm

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Two Figures in a Decorative Border

1790 · Graphite on paper

support: 122 x 203 mm

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‘Songs of Innocence’: Title-Page

1789 · Relief etching on paper

image: 120 x 64 mm

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John Caspar Lavater

1787 · etching and engraving

National Gallery of Art

Oberon, Titania and Puck with Fairies Dancing

1786 · Watercolour and graphite on paper

support: 475 x 675 mm

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Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’

1786 · Graphite on paper. Verso: graphite on paper

support: 291 x 450 mm

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Job, his Wife and his Friends: The Complaint of Job. Verso: Job’s Wife and Eight Other Sketches

1785 · Ink and watercolour on paper. Verso: graphite on paper

support: 311 x 451 mm

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Age Teaching Youth

1785 · Ink and watercolour on paper

support: 108 x 80 mm

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Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings

1785 · Graphite on paper. Verso: graphite on paper

support: 268 x 450 mm

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The Temple of Mirth, after Thomas Stothard

1784 · Engraving on paper

image: 174 x 230 mm

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The Fall of Rosamond (after Thomas Stothard)

1783 · Etching, engraving and watercolour on paper

image, circular: 306 x 306 mm

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Sketch of a Swordsman Standing Over His Defeated Opponent [verso]

1780 · graphite

overall (approximate): 36.4 x 24.9 cm (14 5/16 x 9 13/16 in.)

National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto]

1780 · graphite

overall (approximate): 36.4 x 24.9 cm (14 5/16 x 9 13/16 in.)

National Gallery of Art

A Warring Angel [recto]

1780 · graphite on laid paper

overall: 32.1 x 44.5 cm (12 5/8 x 17 1/2 in.)

National Gallery of Art

"And Saul Said unto David, Go, and the Lord be with Thee" [recto]

1780 · pen and ink over graphite on laid paper

overall (approximate): 27.6 x 39.2 cm (10 7/8 x 15 7/16 in.)

National Gallery of Art

Group of Men Seated in a Circle [recto]

1780 · pen and black ink with wash over black chalk on laid paper

overall: 28.4 x 35.2 cm (11 3/16 x 13 7/8 in.)

National Gallery of Art

Moses Staying the Plague (?) [recto]

1780 · pen and ink with wash on two joined sheets

overall: 34.3 x 42.8 cm (13 1/2 x 16 7/8 in.)

National Gallery of Art

An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure

1780 · Graphite, ink and watercolour on paper. Verso: graphite on paper

support: 615 x 349 mm

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The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape

1780 · Ink and watercolour on paper. Verso: graphite on paper

support: 267 x 375 mm

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The Belvedere Torso [verso]

1779 · graphite on two joined sheets

overall: 42.8 x 34.3 cm (16 7/8 x 13 1/2 in.)

National Gallery of Art

Lear and Cordelia in Prison

1779 · Ink and watercolour on paper

support: 123 x 175 mm

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St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?

1779 · Ink on paper. Verso: graphite on paper

support: 435 x 338 mm

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Classical Combat (recto); Sketch of Male Nude (verso)

1775 · Pen and black ink over graphite (recto), and graphite (verso), on tan laid paper

17.2 × 24 cm (6 13/16 × 9 1/2 in.)

Art Institute of Chicago

Nude Figure of a Man with Flaming Torch

1757 · Graphite on paper

31.8 × 24.2 cm (12 1/2 × 9 1/2 in.)

Art Institute of Chicago

The Parable of the Wise and Foolish Virgins

Watercolour and gouache on paper

support: 400 x 333 mm

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The Raising of Lazarus

Watercolour and graphite on paper

support: 431 x 322 mm

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Christ in the Carpenter’s Shop: The Humility of the Saviour

Watercolour and graphite on paper

support: 330 x 349 mm

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Plate 3 of ‘Urizen’: Oh! Flames of Furious Desires’

Watercolour on paper

support: 60 x 98 mm

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