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← William Blake
Artworks · William Blake
432 of 496 artworks · page 9 of 9
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Songs of Innocence and of Experience: Infant Sorrow
1794 · Relief etching on paper
image: 112 x 97 mm
Tate
‘Songs of Innocence and of Experience’: ‘Spring’
1794 · Relief etching on paper
image: 115 x 79 mm
Tate
‘Songs of Innocence and of Experience’: ‘Infant Sorrow’
1794 · Relief etching on paper
image: 112 x 97 mm
Tate
‘Europe’: Fragment of Pages 3 and 4
1794 · Relief etching and watercolour on paper
support: 92 x 166 mm
Tate
Urizen
1794 · Monotype, with pen and brown and gray inks and watercolor, on cream wove paper
17 × 12.7 cm (6 3/4 × 5 in.)
Art Institute of Chicago
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//plate inked with black from card
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//pulled on colored background, madeby rolling up the other side of the plate with inks and running it through the press
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//intaglio print
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//plate inked from a very stiff piece of card with ink rolled on to that in graduated color
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//plate inked by transferring ink from another plate thinly coated with ink
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//effect of inking with an ordinary gelatin roller
National Gallery of Art
Los Supporting the Sun [recto]
1793 · graphite
overall (approximate): 18.5 x 13.2 cm (7 5/16 x 5 3/16 in.)
National Gallery of Art
A Crouching Figure Holding a Shield [verso]
1793 · graphite
overall (approximate): 13.2 x 18.5 cm (5 3/16 x 7 5/16 in.)
National Gallery of Art
Saint Augustine Converting King Ethelbert of Kent
1793 · graphite on laid paper
overall: 28 x 40.5 cm (11 x 15 15/16 in.)
National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy"
1793 · relief etching//restrike
National Gallery of Art
Fragment of cancelled plate for "A Prophecy" [recto]
1793 · relief etched copper plate
plate: 8.1 × 5.87 cm (3 3/16 × 2 5/16 in.)
National Gallery of Art
The Penance of Jane Shore in St Paul’s Church
1793 · Ink, watercolour and gouache on paper
support: 245 x 295 mm
Tate
Los and Orc
1792 · Ink and watercolour on paper
support: 217 x 295 mm
Tate
An Armed Man Spurning a Woman [recto]
1790 · graphite on laid paper
overall: 30 x 23.3 cm (11 13/16 x 9 3/16 in.)
National Gallery of Art
The Infant Hercules Throttling the Serpents
1790 · graphite
overall (approximate): 19.2 x 14.2 cm (7 9/16 x 5 9/16 in.)
National Gallery of Art
The House of Death
1790 · Graphite, ink and watercolour on paper
support: 318 x 451 mm
Tate
Two Figures in a Decorative Border
1790 · Graphite on paper
support: 122 x 203 mm
Tate
‘Songs of Innocence’: Title-Page
1789 · Relief etching on paper
image: 120 x 64 mm
Tate
John Caspar Lavater
1787 · etching and engraving
National Gallery of Art
Oberon, Titania and Puck with Fairies Dancing
1786 · Watercolour and graphite on paper
support: 475 x 675 mm
Tate
Sketch for ‘Tiriel Supporting the Dying Myratana’. Verso: Sketch for ‘Tiriel Supporting the Dying Myratana’
1786 · Graphite on paper. Verso: graphite on paper
support: 291 x 450 mm
Tate
Job, his Wife and his Friends: The Complaint of Job. Verso: Job’s Wife and Eight Other Sketches
1785 · Ink and watercolour on paper. Verso: graphite on paper
support: 311 x 451 mm
Tate
Age Teaching Youth
1785 · Ink and watercolour on paper
support: 108 x 80 mm
Tate
Lower Half of a Woman Playing a Harp. Verso: Seraphim and Other Drawings
1785 · Graphite on paper. Verso: graphite on paper
support: 268 x 450 mm
Tate
The Temple of Mirth, after Thomas Stothard
1784 · Engraving on paper
image: 174 x 230 mm
Tate
The Fall of Rosamond (after Thomas Stothard)
1783 · Etching, engraving and watercolour on paper
image, circular: 306 x 306 mm
Tate
Sketch of a Swordsman Standing Over His Defeated Opponent [verso]
1780 · graphite
overall (approximate): 36.4 x 24.9 cm (14 5/16 x 9 13/16 in.)
National Gallery of Art
Sketch of a Swordsman Standing Over His Defeated Opponent [recto]
1780 · graphite
overall (approximate): 36.4 x 24.9 cm (14 5/16 x 9 13/16 in.)
National Gallery of Art
A Warring Angel [recto]
1780 · graphite on laid paper
overall: 32.1 x 44.5 cm (12 5/8 x 17 1/2 in.)
National Gallery of Art
"And Saul Said unto David, Go, and the Lord be with Thee" [recto]
1780 · pen and ink over graphite on laid paper
overall (approximate): 27.6 x 39.2 cm (10 7/8 x 15 7/16 in.)
National Gallery of Art
Group of Men Seated in a Circle [recto]
1780 · pen and black ink with wash over black chalk on laid paper
overall: 28.4 x 35.2 cm (11 3/16 x 13 7/8 in.)
National Gallery of Art
Moses Staying the Plague (?) [recto]
1780 · pen and ink with wash on two joined sheets
overall: 34.3 x 42.8 cm (13 1/2 x 16 7/8 in.)
National Gallery of Art
An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure
1780 · Graphite, ink and watercolour on paper. Verso: graphite on paper
support: 615 x 349 mm
Tate
The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape
1780 · Ink and watercolour on paper. Verso: graphite on paper
support: 267 x 375 mm
Tate
The Belvedere Torso [verso]
1779 · graphite on two joined sheets
overall: 42.8 x 34.3 cm (16 7/8 x 13 1/2 in.)
National Gallery of Art
Lear and Cordelia in Prison
1779 · Ink and watercolour on paper
support: 123 x 175 mm
Tate
St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?
1779 · Ink on paper. Verso: graphite on paper
support: 435 x 338 mm
Tate
Classical Combat (recto); Sketch of Male Nude (verso)
1775 · Pen and black ink over graphite (recto), and graphite (verso), on tan laid paper
17.2 × 24 cm (6 13/16 × 9 1/2 in.)
Art Institute of Chicago
Nude Figure of a Man with Flaming Torch
1757 · Graphite on paper
31.8 × 24.2 cm (12 1/2 × 9 1/2 in.)
Art Institute of Chicago
The Parable of the Wise and Foolish Virgins
Watercolour and gouache on paper
support: 400 x 333 mm
Tate
The Raising of Lazarus
Watercolour and graphite on paper
support: 431 x 322 mm
Tate
Christ in the Carpenter’s Shop: The Humility of the Saviour
Watercolour and graphite on paper
support: 330 x 349 mm
Tate
Plate 3 of ‘Urizen’: Oh! Flames of Furious Desires’
Watercolour on paper
support: 60 x 98 mm
Tate
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