Artworks · Odilon Redon

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 11 1/16 x 8" (28.1 x 20.3 cm); sheet: 20 7/8 x 15 5/8" (53 x 39.7 cm)

Museum of Modern Art

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 10 3/16 x 7 13/16" (25.9 x 19.8 cm); sheet: 20 3/8 x 15 5/8" (51.7 x 39.7 cm)

Museum of Modern Art

. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 8 11/16 x 7 1/2" (22.1 x 19.1 cm); sheet: 20 13/16 x 15 11/16" (52.8 x 39.9 cm)

Museum of Modern Art

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 9 11/16 x 7 13/16" (24.6 x 19.8 cm); sheet: 20 15/16 x 15 11/16" (53.2 x 39.8 cm)

Museum of Modern Art

Day Appears At Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît . . . et dans le disque même du soleil, rayonne la face du Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition (irreg.): 10 1/2 x 6 3/8" (26.7 x 16.2 cm); sheet: 20 1/2 x 15 13/16" (52.1 x 40.1 cm)

Museum of Modern Art

The Old Woman: What Are You Afraid Of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 6 7/16 x 4 3/16" (16.3 x 10.7 cm); sheet: 20 7/8 x 15 3/4" (53 x 40 cm)

Museum of Modern Art

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 10 13/16 x 8 9/16" (27.5 x 21.7 cm); sheet: 20 7/8 x 15 3/4" (53 x 40 cm)

Museum of Modern Art

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 7 5/8 x 6 1/16" (19.3 x 15.4 cm); sheet: 20 5/8 x 15 13/16" (52.4 x 40.2 cm)

Museum of Modern Art

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 6 7/16 x 5 3/8" (16.3 x 13.7 cm); sheet: 20 5/8 x 15 11/16" (52.4 x 39.9 cm)

Museum of Modern Art

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 9 1/2 x 7 7/16" (24.2 x 18.9 cm); sheet: 20 5/8 x 15 7/8" (52.4 x 40.3 cm)

Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 12 3/16 x 9 3/16" (31 x 23.3 cm); sheet: 21 1/16 x 15 11/16" (53.5 x 39.8 cm)

Museum of Modern Art

. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 10 7/16 x 7 3/16" (26.5 x 18.2 cm); sheet: 20 3/16 x 15 3/4" (51.2 x 40 cm)

Museum of Modern Art

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 5 7/8 x 5 1/8" (14.9 x 13 cm); sheet: 20 1/2 x 15 3/4" (52.1 x 40 cm)

Museum of Modern Art

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition (irreg.): 7 15/16 x 6 7/16" (20.2 x 16.3 cm); sheet: 20 9/16 x 15 5/8" (52.2 x 39.7 cm)

Museum of Modern Art

Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

1896 · One from a portfolio of 23 lithographs on chine appliqué

composition: 12 1/4 x 9 7/8" (31.1 x 25.1 cm); sheet: 20 7/16 x 15 3/4" (51.9 x 40 cm)

Museum of Modern Art

Frontispiece for Le Mouvement idéaliste en peinture

1896 · Lithograph on chine appliqué

composition (irreg.): 3 1/4 x 3 3/8" (8.2 x 8.6 cm); sheet: 11 3/4 x 17 7/16" (29.9 x 44.3 cm)

Museum of Modern Art

Old Knight (Vieux chevalier)

1896 · Lithograph on chine appliqué

composition: 11 3/4 x 9 3/16" (29.8 x 23.3 cm); sheet: 16 3/8 x 12 15/16" (41.6 x 32.9 cm)

Museum of Modern Art

The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (third series)

1896 · Portfolio of 23 lithographs on chine appliqué

composition (see child records): dimensions vary; sheet (each approx.): 20 7/8 x 15 3/4" (53.1 x 40 cm)

Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan)

1896 · Lithograph on chine appliqué

composition: 12 1/16 x 9" (30.6 x 22.8 cm); sheet: 17 1/4 x 13" (43.8 x 33 cm)

Museum of Modern Art

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers)

1896 · Lithograph on chine appliqué

composition 7 1/2 x 5 7/8" (19.1 x 15 cm); sheet 17 1/16 x 13" (43 x 33.1 cm)

Museum of Modern Art

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 9 × 6 7/16" (22.8 × 16.4 cm); page: 17 1/8 × 13" (43.5 × 33 cm)

Museum of Modern Art

. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 8 9/16 × 7 1/2" (21.7 × 19 cm); page: 17 1/16 × 13 1/16" (43.3 × 33.2 cm)

Museum of Modern Art

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 7/8 × 8 1/2" (27.7 × 21.6 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) (plate XVIII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 11 7/8 × 8 3/8" (30.2 × 21.2 cm); page: 17 1/16 × 12 15/16" (43.4 × 32.9 cm)

Museum of Modern Art

Day Appears at Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît, . . . et dans le disque même du soleil, rayonne la face de Jésus-Christ) (plate XXII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 5/16 × 8" (26.2 × 20.3 cm); page: 17 5/16 × 13 1/16" (43.9 × 33.1 cm)

Museum of Modern Art

Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 1/8 × 9 3/4" (30.8 × 24.8 cm); page: 17 3/16 × 13 1/16" (43.6 × 33.1 cm)

Museum of Modern Art

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) (plate VII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 3/8 × 8 3/8" (26.3 × 21.3 cm); page: 17 3/16 × 12 15/16" (43.6 × 32.9 cm)

Museum of Modern Art

Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 3 11/16 × 3 1/4" (9.3 × 8.3 cm); page: 17 5/16 × 13 1/8" (44 × 33.3 cm)

Museum of Modern Art

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) (plate XIV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 11 × 8" (28 × 20.3 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 × 9" (30.5 × 22.8 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 3/8 × 8 9/16" (31.5 × 21.7 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 9 9/16 × 7 1/2" (24.3 × 19.1 cm); page: 17 1/16 × 13" (43.4 × 33 cm)

Museum of Modern Art

. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) (plate III) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 3/8 × 7 1/8" (26.3 × 18.1 cm); page: 17 1/16 × 12 15/16" (43.4 × 32.8 cm)

Museum of Modern Art

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le goût d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) (plate IV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 7 3/4 × 6 5/16" (19.7 × 16 cm); page: 17 3/16 × 13" (43.6 × 33 cm)

Museum of Modern Art

. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 11 5/8 × 8 3/4" (29.5 × 22.2 cm); page: 17 1/8 × 12 15/16" (43.5 × 32.8 cm)

Museum of Modern Art

Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 8 7/16 × 5 1/8" (21.5 × 13 cm); page: 17 3/16 × 13" (43.7 × 33 cm)

Museum of Modern Art

The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 6 3/8 × 4 3/16" (16.2 × 10.6 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 9 5/8 × 7 11/16" (24.5 × 19.6 cm); page: 16 15/16 × 13" (43 × 33 cm)

Museum of Modern Art

. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 12 1/16 × 8 13/16" (30.7 × 22.4 cm); page: 17 3/16 × 13" (43.6 × 33 cm)

Museum of Modern Art

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 3/16 × 7 13/16" (25.9 × 19.8 cm); page: 17 1/16 × 13" (43.3 × 33 cm)

Museum of Modern Art

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 5 7/8 × 5 1/16" (14.9 × 12.9 cm); sheet: 16 15/16 × 12 7/8" (43 × 32.7 cm)

Museum of Modern Art

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine

1896 · Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)

composition: 10 13/16 × 8 1/4" (27.5 × 21 cm); page: 17 1/4 × 13" (43.8 × 33 cm)

Museum of Modern Art

Le Mouvement idéaliste en peinture

1896 · Illustrated book with one lithograph

composition: 53/8 x 67/8" (13.7 x 17.5 cm); page (each): 7 13/16 x 5 1/2" (19.8 x 14 cm)

Museum of Modern Art

Centaur visant les Nues (Centaur aiming at the Clouds)

1895 · lithograph on chine appliqué

image: 31.6 x 24.7 cm (12 7/16 x 9 3/4 in.) sheet: 59.8 x 42.8 cm (23 9/16 x 16 7/8 in.)

National Gallery of Art

Le Buddha

1895 · lithograph

image: 31.7 × 24.8 cm (12 1/2 × 9 3/4 in.) sheet: 60 × 42.8 cm (23 5/8 × 16 7/8 in.)

National Gallery of Art

Profile of a Woman with a Vase of Flowers

1895 · Oil paint on canvas

support: 655 x 505 mm FD: 855x715x70mm

Tate

The Buddha

1895 · Lithograph in black on ivory China paper laid down on ivory wove paper

Image: 32.5 × 24.5 cm (12 13/16 × 9 11/16 in.); Sheet: 45.2 × 34.8 cm (17 13/16 × 13 3/4 in.)

Art Institute of Chicago

Centaur Taking Aim at the Clouds

1895 · Lithograph in black on light gray wove paper

Image: 20.8 × 23.6 cm (8 1/4 × 9 5/16 in.); Irregular sheet: 42.8 × 30 cm (16 7/8 × 11 13/16 in.)

Art Institute of Chicago