Artworks · Joseph Pennell

793 artworks · page 16 of 17

📷 With images only (789)

The Inn of Cervantés, Toledo

1900 · Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board

19.3 × 25.4 cm (7 5/8 × 10 in.)

Art Institute of Chicago

The Promenades of Madrid

1900 · Oiled charcoal, with selective erasing, heightened with white pastel, on cream wove paper, laid down on board

19.4 × 25.4 cm (7 11/16 × 10 in.)

Art Institute of Chicago

Madrid al Fresco

1900 · Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board

25.4 × 19.3 cm (10 × 7 5/8 in.)

Art Institute of Chicago

Madrid: The Palace

1900 · Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board

19.3 × 25.4 cm (7 5/8 × 10 in.)

Art Institute of Chicago

The Choir, Toledo

1900 · Oiled charcoal heightened with white pastel, on cream wove paper, laid down on board

25.4 × 19.4 cm (10 × 7 11/16 in.)

Art Institute of Chicago

The Cheerful Gothic Cloisters, Toledo

1900 · Oiled charcoal on ivory wove paper, laid down on board

28.2 × 21.7 cm (11 1/8 × 8 9/16 in.)

Art Institute of Chicago

A Street of Toledo

1900 · Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board

25.4 × 19.4 cm (10 × 7 11/16 in.)

Art Institute of Chicago

The Chapter House, Toledo Cathedral

1900 · Oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board

19.2 × 25.4 cm (7 9/16 × 10 in.)

Art Institute of Chicago

The Borders of the Tagus

1900 · Oiled charcoal, on cream wove paper, laid down on board

21.6 × 28.1 cm (8 9/16 × 11 1/8 in.)

Art Institute of Chicago

Segovia from the Corner Tower

1900 · Oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board

28.2 × 21.7 cm (11 1/8 × 8 9/16 in.)

Art Institute of Chicago

Side Chapels, the Cathedral, Toledo

1900 · Oiled charcoal, heightened with white pastel, on ivory wove paper, laid down on board

19.5 × 25.4 cm (7 11/16 × 10 in.)

Art Institute of Chicago

The High Altar, Escorial

1900 · Oiled charcoal, on cream wove paper, laid down on board

28.2 × 21.6 cm (11 1/8 × 8 9/16 in.)

Art Institute of Chicago

A Grand and Shadowy Grove of Marble

1900 · Oiled charcoal, heightened with touches of white pastel, on ivory laid paper, laid down on board

25.5 × 19.2 cm (10 1/16 × 7 9/16 in.)

Art Institute of Chicago

Approach to Segovia

1900 · Oiled charcoal, on ivory laid paper, laid down on board

21.7 × 28.1 cm (8 9/16 × 11 1/8 in.)

Art Institute of Chicago

The Royal Palace, Madrid

1900 · Oiled charcoal, on ivory wove paper, laid down on board

25.4 × 19.5 cm (10 × 7 11/16 in.)

Art Institute of Chicago

Egglestone Abbey, from the River

1899 · Lithograph on ivory wove paper

Sheet: 18.5 × 26.8 cm (7 5/16 × 10 9/16 in.); Support: 27.5 × 38.2 cm (10 7/8 × 15 1/16 in.)

Art Institute of Chicago

The Garden of the Mosque

1896 · Lithograph on off-white laid paper

20.5 × 29 cm (8 1/8 × 11 7/16 in.); Plate: 17.1 × 23.9 cm (6 3/4 × 9 7/16 in.)

Art Institute of Chicago

Charing Cross at Night

1896 · Aquatint with sandpaper ground on ivory laid paper

Image: 17.7 × 25.2 cm (7 × 9 15/16 in.); Sheet: 18.4 × 25.4 cm (7 1/4 × 10 in.)

Art Institute of Chicago

Le Puy

1894 · etching

National Gallery of Art

Most Picturesque Place in the World

1894 · Etching on paper

Plate: 40.4 × 30.4 cm (15 15/16 × 12 in.); Sheet: 45.6 × 33.9 cm (18 × 13 3/8 in.)

Art Institute of Chicago

St. Paul's

1894 · Aquatint with sandpaper ground on cream wove paper

Image: 17.6 × 25 cm (6 15/16 × 9 7/8 in.); Sheet: 28 × 27 cm (11 1/16 × 10 11/16 in.)

Art Institute of Chicago

New Oxford Street, London

1893 · etching

National Gallery of Art

Le Stryge

1893 · etching

National Gallery of Art

Le Stryge

1893 · etching

National Gallery of Art

Brasserie, Au Lion Rouge

1893 · etching on wove paper

plate: 15.8 × 20.6 cm (6 1/4 × 8 1/8 in.) sheet: 19.7 × 24.8 cm (7 3/4 × 9 3/4 in.)

National Gallery of Art

Study for "Le Stryge"

1893 · pen and black ink over graphite

overall: 36.2 x 26 cm (14 1/4 x 10 1/4 in.)

National Gallery of Art

Vauxhall Bridge

1893 · Etching on ivory laid paper

Plate: 15 × 9.8 cm (5 15/16 × 3 7/8 in.); Sheet: 18.9 × 23.5 cm (7 1/2 × 9 5/16 in.)

Art Institute of Chicago

Waterloo Bridge

1893 · Etching on heavy ivory wove paper

Image: 16.7 × 24.4 cm (6 5/8 × 9 5/8 in.); Sheet: 24.5 × 27.9 cm (9 11/16 × 11 in.)

Art Institute of Chicago

Interior, Fitzwilliam Museum

1890 · brush and black ink with gray wash over graphite on wove paper

overall: 28.1 x 30.6 cm (11 1/16 x 12 1/16 in.)

National Gallery of Art

Looking Down a Chevrilly

1890 · Pen and black ink over graphite, on cream wove card

31.6 × 38.6 cm (12 1/2 × 15 1/4 in.)

Art Institute of Chicago

Gate of Elvira, Granada

1890 · Lithograph on off-white laid paper

Sheet: 29.1 × 20.7 cm (11 1/2 × 8 3/16 in.)

Art Institute of Chicago

Gate of Elvira, Granada

1890 · Lithograph on ivory wove paper

30 × 21 cm (11 13/16 × 8 5/16 in.)

Art Institute of Chicago

Westminster Bridge Station

1890 · Etching on ivory laid paper

Image: 25.4 × 17.6 cm (10 × 6 15/16 in.); Sheet: 33.8 × 23.8 cm (13 5/16 × 9 3/8 in.)

Art Institute of Chicago

Covent Garden

1887 · Etching on ivory laid paper

Image: 12.4 × 21.4 cm (4 15/16 × 8 7/16 in.); Sheet: 19.5 × 25 cm (7 11/16 × 9 7/8 in.)

Art Institute of Chicago

Nelson Monument, Trafalgar Square, London

1887 · Etching on cream laid thin paper tipped on upper corners to ivory wove card

Plate: 24.5 × 37.5 cm (9 11/16 × 14 13/16 in.); Sheet: 27.6 × 40.1 cm (10 7/8 × 15 13/16 in.)

Art Institute of Chicago

Chelsea, No.II

1886 · etching

National Gallery of Art

Rainy Night, Charing Cross Station

1886 · Etching on ivory laid paper

Image: 17.6 × 22.6 cm (6 15/16 × 8 15/16 in.); Sheet: 22.8 × 28.8 cm (9 × 11 3/8 in.)

Art Institute of Chicago

Chelsea, No. II

1886 · Etching on ivory wove paper

Image: 17.7 × 25.4 cm (7 × 10 in.); Sheet: 22 × 27.3 cm (8 11/16 × 10 3/4 in.)

Art Institute of Chicago

Euston

1886 · Etching on ivory wove thick paper

Image: 22.8 × 17.7 cm (9 × 7 in.); Sheet: 23.6 × 18.9 cm (9 5/16 × 7 1/2 in.)

Art Institute of Chicago

Temple Bar

1885 · etching with drypoint

image: 305 x 203 mm sheet: 368 x 257 mm

National Gallery of Art

Below Chestnut St. Bridge, Philadelphia

1884 · etching

National Gallery of Art

A Disputed Point, Boncomento (Playing Bowls)

1884 · Pen and black ink on cream wove paper

28.5 × 38.4 cm (11 1/4 × 15 1/8 in.)

Art Institute of Chicago

Below Chestnut Street Bridge, Philadelphia

1884 · Etching on ivory wove paper, laid down on ivory card (chine collé)

Plate: 30.2 × 24.8 cm (11 15/16 × 9 13/16 in.); Primary support: 29.6 × 24.1 cm (11 11/16 × 9 1/2 in.); Secondary support: 44.3 × 35.1 cm (17 1/2 × 13 7/8 in.)

Art Institute of Chicago

Below Chestnut Street Bridge, Philadelphia

1884 · etching on paper

plate: 11 1/2 x 9 3/4 in. (29.2 x 24.8 cm)

Smithsonian American Art Museum

Doorway, Venice

1884 · Etching on ivory paper

Image/plate: 18 × 17.6 cm (7 1/8 × 6 15/16 in.); Sheet: 26.4 × 26.3 cm (10 7/16 × 10 3/8 in.)

Art Institute of Chicago

On the Riva, from Pennell's Window

1883 · etching in black on wove paper

plate: 20.96 × 26.35 cm (8 1/4 × 10 3/8 in.) sheet: 25.08 × 31.12 cm (9 7/8 × 12 1/4 in.)

National Gallery of Art

Plazza del Comune, Pistoia

1883 · etching and drypoint in black on wove paper

plate: 24.29 × 22.7 cm (9 9/16 × 8 15/16 in.) sheet: 43.18 × 30.8 cm (17 × 12 1/8 in.)

National Gallery of Art

San Gimignano

1883 · etching

National Gallery of Art

← Prev16 / 17Next →