Artworks · Jean-François Millet

Monsieur Martin

1840 · oil on fabric

Framed: 68 x 59.7 x 10.8 cm (26 3/4 x 23 1/2 x 4 1/4 in.); Unframed: 46 x 38 cm (18 1/8 x 14 15/16 in.)

Cleveland Museum of Art

The Woodchopper

1838 · Black chalk, on gray laid paper with blue and red fibers

29.5 × 21.2 cm (11 5/8 × 8 3/8 in.)

Art Institute of Chicago

Study: Nude Woman Seen from the Back (recto) Sketches of Peasants Working (verso)

1836 · Black crayon on gray laid paper, with blue fibers (discolored to buff with tan and blue fibers)

27.1 × 19.8 cm (10 11/16 × 7 13/16 in.)

Art Institute of Chicago

Group of Women

1834 · Black chalk on blue-gray laid paper, discolored to tan, laid down on cream wove paper

9.9 × 13.5 cm (3 15/16 × 5 3/8 in.)

Art Institute of Chicago

Bust of a Man with a Beard

1834 · Black chalk on buff wove paper, discolored to tan, laid down on cream wove paper

8.7 × 8.7 cm (3 7/16 × 3 7/16 in.)

Art Institute of Chicago

Peasant Woman

1834 · Black chalk on ivory laid paper laid down on cream wove paper, discolored to tan, laid down on cream wove paper

6.2 × 6.9 cm (2 1/2 × 2 3/4 in.)

Art Institute of Chicago

Study of a Dog

1834 · Black chalk on ivory wove paper, discolored to cream, laid down on cream wove paper

9.2 × 9.7 cm (3 5/8 × 3 7/8 in.)

Art Institute of Chicago

Crucifixion

1834 · Black chalk on ivory wove paper, discolored to cream, laid down on cream wove paper

13.9 × 9.9 cm (5 1/2 × 3 15/16 in.)

Art Institute of Chicago

Signature Fragment from the Shepherdess

1834 · Woodcut in black on tan wove China paper laid down on white Japanese hinge paper

Image: 1.2 × 3.3 cm (1/2 × 1 5/16 in.); Primary support: 1.5 × 3.3 cm (5/8 × 1 5/16 in.); Secondary support: 2.8 × 4.4 cm (1 1/8 × 1 3/4 in.)

Art Institute of Chicago

Little Shepherdess, Seated

1834 · Woodcut in dark blue ink with graphite images both recto and verso on pale bluish laid paper

Image: 5.2 × 5.5 cm (2 1/16 × 2 3/16 in.); Sheet: 12.9 × 10.4 cm (5 1/8 × 4 1/8 in.)

Art Institute of Chicago

Man Resting On His Spade

1834 · Woodcut on ivory wove China paper

Image: 13.9 × 9.6 cm (5 1/2 × 3 13/16 in.); Sheet: 21.8 × 14.2 cm (8 5/8 × 5 5/8 in.)

Art Institute of Chicago

Proof from a block of sketches

1834 · Woodcut on china paper, laid down on card; second (final) state; posthumous impression

sheet: 4 15/16 x 4 in. (12.5 x 10.1 cm)

The Metropolitan Museum of Art

Sketches

1834 · Woodcut on wove paper; second (final) state; posthumous impression

block: 5 9/16 x 3 3/4 in. (14.2 x 9.5 cm)

The Metropolitan Museum of Art

Spinner from the Auvergne

1830 · Woodcut

Image: 8 5/8 × 5 7/8 in. (21.9 × 15 cm)

The Metropolitan Museum of Art

The Goose Girl

1830 · Drypoint on thin wove paper

plate: 5 9/16 x 4 3/4 in. (14.2 x 12.1 cm)

The Metropolitan Museum of Art

Peasant Seated on the Ground

1830 · Etching on laid paper

sheet: 15/16 x 1 5/8 in. (2.4 x 4.1 cm)

The Metropolitan Museum of Art

Seated Peasant

1830 · Etching (undescribed first state?)printed in red ink on wove paper

sheet: 1 x 1 5/8 in. (2.5 x 4.1 cm)

The Metropolitan Museum of Art

A Seated Shepherd with His Dog and Sheep

1830 · Conté crayon on wove paper

7 5/16 x 12 in. (18.6 x 30.5 cm)

The Metropolitan Museum of Art

A Woman Burning Weeds

1830 · Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper

15 5/16 x 9 3/4 in. (38.9 x 24.8 cm)

The Metropolitan Museum of Art

Moonlight

1825 · Woodcut

Image: 5 13/16 × 7 1/16 in. (14.8 × 18 cm)

The Metropolitan Museum of Art

The Diggers (Les becheurs)

1814 · etching

National Gallery of Art

The Newborn

1814 · charcoal on blue laid paper

overall (approximate): 26.6 x 42.9 cm (10 1/2 x 16 7/8 in.)

National Gallery of Art

The Sower

1814 · chalk on blue laid paper

overall: 37 x 25.5 cm (14 9/16 x 10 1/16 in.)

National Gallery of Art

The Diggers

1814 · Etching on thin laid paper; fourth (final) state

plate: 10 3/16 x 13 3/16 in. (25.8 x 33.5 cm)

The Metropolitan Museum of Art