Artworks · Giovanni Domenico Tiepolo

God the Father and Angels Adoring the Madonna and Child [recto]

1748 · pen and brown ink with brown wash over black chalk on buff oatmeal paper

overall: 25 × 31.6 cm (9 13/16 × 12 7/16 in.)

National Gallery of Art

Frontispiece to Stations of the Cross

1748 · Etching on paper

21 × 18.5 cm (8 5/16 × 7 5/16 in.)

Art Institute of Chicago

Christ is Condemed to Death, plate one from Stations of the Cross

1748 · Etching on paper

21 × 18.3 cm (8 5/16 × 7 1/4 in.)

Art Institute of Chicago

Christ is Helped by Simon of Cyrene, plate five from Stations of the Cross

1748 · Etching on paper

22.6 × 17.4 cm (8 15/16 × 6 7/8 in.)

Art Institute of Chicago

Christ's Face is Wiped by St. Veronica, plate six from Stations of the Cross

1748 · Etching on paper

21.9 × 18.6 cm (8 5/8 × 7 3/8 in.)

Art Institute of Chicago

Christ Meets his Mother, plate four from Stations of the Cross

1748 · Etching on paper

22.3 × 17.8 cm (8 13/16 × 7 1/16 in.)

Art Institute of Chicago

Christ Receives the Cross, plate two from Stations of the Cross

1748 · Etching on paper

21.8 × 18.7 cm (8 5/8 × 7 3/8 in.)

Art Institute of Chicago

Christ Falls Beneath the Cross for the First Time, plate three from Stations of the Cross

1748 · Etching on paper

21.6 × 18.2 cm (8 9/16 × 7 3/16 in.)

Art Institute of Chicago

Christ is Stripped of His Garments, plate ten from Stations of the Cross

1748 · Etching on paper

23.3 × 17 cm (9 3/16 × 6 3/4 in.)

Art Institute of Chicago

Christ is Nailed to the Cross, plate eleven from Stations of the Cross

1748 · Etching on paper

22.5 × 17.4 cm (8 7/8 × 6 7/8 in.)

Art Institute of Chicago

Christ Consoles the Weeping Women, plate eight from Stations of the Cross

1748 · Etching on paper

21.8 × 18.7 cm (8 5/8 × 7 3/8 in.)

Art Institute of Chicago

Christ Falls Beneath the Cross for the Third Time, plate nine from Stations of the Cross

1748 · Etching on paper

22.2 × 17.3 cm (8 3/4 × 6 13/16 in.)

Art Institute of Chicago

Christ Falls Beneath the Cross for the Second Time, plate seven from Stations of the Cross

1748 · Etching on paper

21.8 × 18 cm (8 5/8 × 7 1/8 in.)

Art Institute of Chicago

The Entombment, plate fourteen from Stations of the Cross

1748 · Etching on paper

22 × 18.3 cm (8 11/16 × 7 1/4 in.)

Art Institute of Chicago

The Deposition, plate thirteen from Stations of the Cross

1748 · Etching on paper

22.9 × 17.4 cm (9 1/16 × 6 7/8 in.)

Art Institute of Chicago

The Crucifixion, plate twelve from Stations of the Cross

1748 · Etching on paper

22.5 × 17.4 cm (8 7/8 × 6 7/8 in.)

Art Institute of Chicago

Leda

1747 · Pen and brown ink, gray wash, over black chalk

10 x 5 7/16 in. (254 x 138 mm)

The Metropolitan Museum of Art

Allegorical Figure Representing Asia

1747 · Fresco, transferred to canvas

32 1/4 x 41 3/4 in. (81.9 x 106 cm)

The Metropolitan Museum of Art

Allegorical Figure Representing Europe

1747 · Fresco, transferred to canvas

32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)

The Metropolitan Museum of Art

Allegorical Figure Representing Africa

1747 · Fresco, transferred to canvas

32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)

The Metropolitan Museum of Art

Allegorical Figure Representing America

1747 · Fresco, transferred to canvas

32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)

The Metropolitan Museum of Art

Allegorical Figure Representing America

1747 · Fresco, transferred to canvas

32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)

The Metropolitan Museum of Art

Lion, Lioness and Cubs

1747 · Pen and brown ink, and brush and brown wash, with traces of brown gouache, over black chalk, on ivory laid paper, laid down on blue wove paper, laid down on brown wove paper

18.3 × 27.4 cm (7 1/4 × 10 13/16 in.)

Art Institute of Chicago

Figures and Faces

1745 · brush and brown wash on laid paper

overall: 23.2 × 24.9 cm (9 1/8 × 9 13/16 in.)

National Gallery of Art

Tarquin and Lucretia and Cleopatra Honored with Gifts

1745 · Two etchings in black on ivory laid paper

Plate, left: 23 × 18 cm (9 1/16 × 7 1/8 in.); Plate, right: 23.5 × 18.3 cm (9 5/16 × 7 1/4 in.); Sheet: 32 × 51.5 cm (12 5/8 × 20 5/16 in.)

Art Institute of Chicago

Christ Crowned with Thorns

1745 · Pen and brown ink

10 9/16 x 8 5/8 in. (26.8 x 21.9 cm)

The Metropolitan Museum of Art

An Angel with a Book

1745 · Red chalk, heightened with traces of white chalk, on blue laid paper

25.2 × 19.1 cm (9 15/16 × 7 9/16 in.)

Art Institute of Chicago

The Virgin Appearing to St. Simon Stock

1743 · Etching in black on paper

Plate: 61.8 × 40 cm (24 3/8 × 15 3/4 in.); Sheet: 75.3 × 53.9 cm (29 11/16 × 21 1/4 in.)

Art Institute of Chicago

A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice

1740 · Pen and brown ink

7 11/16 x 11 in. (19.5 x 28 cm)

The Metropolitan Museum of Art

A Crowd of Persons in Antique Roman or Oriental Dress, Gathering at a Pagan Altar

1740 · Pen and brown ink

7 11/16 x 11 1/4 in. (19.5 x 28.5 cm)

The Metropolitan Museum of Art

A Boar, Galloping to the Left, and a Sleeping Sow (on the Base)

1736 · Pen and brown ink, brown wash, over traces of black chalk

4 3/4 x 6 11/16 in. (12.1 x 17 cm)

The Metropolitan Museum of Art

Eight Monkeys, a Dead Goose, and a Cormorant

1736 · Pen and brown ink, brown wash, over black chalk

7 3/16 x 11 1/8 in. (18.2 x 28.3 cm)

The Metropolitan Museum of Art

A Lion, Lying Toward the Right (on a Base)

1736 · Pen and brown ink, brown wash, over traces of black chalk

4 3/4 x 6 13/16 in. (12 x 17.3 cm)

The Metropolitan Museum of Art

A Leopard, Moving to the Left (on a Base)

1736 · Pen and brown ink, brown wash, over traces of black chalk

4 7/16 x 6 7/16 in. (11.2 x 16.4 cm)

The Metropolitan Museum of Art

Cattle in a Landscape

1736 · Pen and brown ink, brown wash, over black chalk

7 3/8 x 11 in. (18.7 x 28 cm)

The Metropolitan Museum of Art

Centaur Carrying Off a Nymph

1736 · Pen and brown ink, light brown and gray-brown wash

10 3/4 x 11 3/4 in. (27.3 x 29.9 cm)

The Metropolitan Museum of Art

Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida

1736 · Pen and brown ink, brown wash, over black chalk

8 11/16 x 7 1/16 in. (22 x 18 cm)

The Metropolitan Museum of Art

Rinaldo Enchanted by Armida

1736 · Pen and gray ink, gray wash

9 3/8 x 6 1/2 in. (23.8 x 16.5 cm)

The Metropolitan Museum of Art

An Old Man in Oriental Dress, Standing by a Pagan Altar

1736 · Point of the brush and brown ink

9 13/16 x 7 1/16 in. (25 x 18 cm)

The Metropolitan Museum of Art

A Sea Horse and a Dolphin

1736 · Pen and brown ink, brown wash, over traces of black chalk

2 9/16 x 6 in. (6.5 x 15.3 cm)

The Metropolitan Museum of Art

Meleager, Turning to the Left

1736 · Pen and brown ink, gray wash, over black chalk

10 7/8 x 6 3/4 in. (27.6 x 17.2 cm)

The Metropolitan Museum of Art

Meleager, Turning to the Right

1736 · Pen and brown ink, gray wash, over black chalk

10 7/8 x 6 3/4 in. (27.6 x 17.2 cm)

The Metropolitan Museum of Art

The Leopards' Cage at the Menagerie

1736 · Pen and brown ink, brown wash, over black chalk

11 5/16 x 5 11/16 in. (28.8 x 14.5 cm)

The Metropolitan Museum of Art

Venus (?)

1736 · Pen and brown ink, gray wash, over black chalk

9 1/2 x 5 1/16 in. (24.2 x 12.8 cm)

The Metropolitan Museum of Art

The Holy Family Descending a Path near Shepherds

1727 · etching on laid paper [working proof]

sheet (cut within platemark): 18 x 24.2 cm (7 1/16 x 9 1/2 in.)

National Gallery of Art

Old Man with a Helmet

1727 · etching on laid paper

plate: 14.2 x 11.4 cm (5 9/16 x 4 1/2 in.) sheet: 17.5 x 14.8 cm (6 7/8 x 5 13/16 in.)

National Gallery of Art

The Marriage of Angelica and Medoro

1727 · etching on laid paper

sheet (trimmed to plate mark): 24 x 25.9 cm (9 7/16 x 10 3/16 in.)

National Gallery of Art

The Stoning of Saint Stephen

1727 · etching on laid paper

plate: 49 x 26.7 cm (19 5/16 x 10 1/2 in.)

National Gallery of Art