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← Giovanni Domenico Tiepolo
Artworks · Giovanni Domenico Tiepolo
269 artworks · page 5 of 6
📷 With images only (166)
God the Father and Angels Adoring the Madonna and Child [recto]
1748 · pen and brown ink with brown wash over black chalk on buff oatmeal paper
overall: 25 × 31.6 cm (9 13/16 × 12 7/16 in.)
National Gallery of Art
Frontispiece to Stations of the Cross
1748 · Etching on paper
21 × 18.5 cm (8 5/16 × 7 5/16 in.)
Art Institute of Chicago
Christ is Condemed to Death, plate one from Stations of the Cross
1748 · Etching on paper
21 × 18.3 cm (8 5/16 × 7 1/4 in.)
Art Institute of Chicago
Christ is Helped by Simon of Cyrene, plate five from Stations of the Cross
1748 · Etching on paper
22.6 × 17.4 cm (8 15/16 × 6 7/8 in.)
Art Institute of Chicago
Christ's Face is Wiped by St. Veronica, plate six from Stations of the Cross
1748 · Etching on paper
21.9 × 18.6 cm (8 5/8 × 7 3/8 in.)
Art Institute of Chicago
Christ Meets his Mother, plate four from Stations of the Cross
1748 · Etching on paper
22.3 × 17.8 cm (8 13/16 × 7 1/16 in.)
Art Institute of Chicago
Christ Receives the Cross, plate two from Stations of the Cross
1748 · Etching on paper
21.8 × 18.7 cm (8 5/8 × 7 3/8 in.)
Art Institute of Chicago
Christ Falls Beneath the Cross for the First Time, plate three from Stations of the Cross
1748 · Etching on paper
21.6 × 18.2 cm (8 9/16 × 7 3/16 in.)
Art Institute of Chicago
Christ is Stripped of His Garments, plate ten from Stations of the Cross
1748 · Etching on paper
23.3 × 17 cm (9 3/16 × 6 3/4 in.)
Art Institute of Chicago
Christ is Nailed to the Cross, plate eleven from Stations of the Cross
1748 · Etching on paper
22.5 × 17.4 cm (8 7/8 × 6 7/8 in.)
Art Institute of Chicago
Christ Consoles the Weeping Women, plate eight from Stations of the Cross
1748 · Etching on paper
21.8 × 18.7 cm (8 5/8 × 7 3/8 in.)
Art Institute of Chicago
Christ Falls Beneath the Cross for the Third Time, plate nine from Stations of the Cross
1748 · Etching on paper
22.2 × 17.3 cm (8 3/4 × 6 13/16 in.)
Art Institute of Chicago
Christ Falls Beneath the Cross for the Second Time, plate seven from Stations of the Cross
1748 · Etching on paper
21.8 × 18 cm (8 5/8 × 7 1/8 in.)
Art Institute of Chicago
The Entombment, plate fourteen from Stations of the Cross
1748 · Etching on paper
22 × 18.3 cm (8 11/16 × 7 1/4 in.)
Art Institute of Chicago
The Deposition, plate thirteen from Stations of the Cross
1748 · Etching on paper
22.9 × 17.4 cm (9 1/16 × 6 7/8 in.)
Art Institute of Chicago
The Crucifixion, plate twelve from Stations of the Cross
1748 · Etching on paper
22.5 × 17.4 cm (8 7/8 × 6 7/8 in.)
Art Institute of Chicago
L
Leda
1747 · Pen and brown ink, gray wash, over black chalk
10 x 5 7/16 in. (254 x 138 mm)
The Metropolitan Museum of Art
AF
Allegorical Figure Representing Asia
1747 · Fresco, transferred to canvas
32 1/4 x 41 3/4 in. (81.9 x 106 cm)
The Metropolitan Museum of Art
AF
Allegorical Figure Representing Europe
1747 · Fresco, transferred to canvas
32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)
The Metropolitan Museum of Art
AF
Allegorical Figure Representing Africa
1747 · Fresco, transferred to canvas
32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)
The Metropolitan Museum of Art
AF
Allegorical Figure Representing America
1747 · Fresco, transferred to canvas
32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)
The Metropolitan Museum of Art
Allegorical Figure Representing America
1747 · Fresco, transferred to canvas
32 1/4 x 42 3/4 in. (81.9 x 108.6 cm)
The Metropolitan Museum of Art
Lion, Lioness and Cubs
1747 · Pen and brown ink, and brush and brown wash, with traces of brown gouache, over black chalk, on ivory laid paper, laid down on blue wove paper, laid down on brown wove paper
18.3 × 27.4 cm (7 1/4 × 10 13/16 in.)
Art Institute of Chicago
Figures and Faces
1745 · brush and brown wash on laid paper
overall: 23.2 × 24.9 cm (9 1/8 × 9 13/16 in.)
National Gallery of Art
Tarquin and Lucretia and Cleopatra Honored with Gifts
1745 · Two etchings in black on ivory laid paper
Plate, left: 23 × 18 cm (9 1/16 × 7 1/8 in.); Plate, right: 23.5 × 18.3 cm (9 5/16 × 7 1/4 in.); Sheet: 32 × 51.5 cm (12 5/8 × 20 5/16 in.)
Art Institute of Chicago
CC
Christ Crowned with Thorns
1745 · Pen and brown ink
10 9/16 x 8 5/8 in. (26.8 x 21.9 cm)
The Metropolitan Museum of Art
An Angel with a Book
1745 · Red chalk, heightened with traces of white chalk, on blue laid paper
25.2 × 19.1 cm (9 15/16 × 7 9/16 in.)
Art Institute of Chicago
The Virgin Appearing to St. Simon Stock
1743 · Etching in black on paper
Plate: 61.8 × 40 cm (24 3/8 × 15 3/4 in.); Sheet: 75.3 × 53.9 cm (29 11/16 × 21 1/4 in.)
Art Institute of Chicago
AC
A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice
1740 · Pen and brown ink
7 11/16 x 11 in. (19.5 x 28 cm)
The Metropolitan Museum of Art
AC
A Crowd of Persons in Antique Roman or Oriental Dress, Gathering at a Pagan Altar
1740 · Pen and brown ink
7 11/16 x 11 1/4 in. (19.5 x 28.5 cm)
The Metropolitan Museum of Art
AB
A Boar, Galloping to the Left, and a Sleeping Sow (on the Base)
1736 · Pen and brown ink, brown wash, over traces of black chalk
4 3/4 x 6 11/16 in. (12.1 x 17 cm)
The Metropolitan Museum of Art
EM
Eight Monkeys, a Dead Goose, and a Cormorant
1736 · Pen and brown ink, brown wash, over black chalk
7 3/16 x 11 1/8 in. (18.2 x 28.3 cm)
The Metropolitan Museum of Art
AL
A Lion, Lying Toward the Right (on a Base)
1736 · Pen and brown ink, brown wash, over traces of black chalk
4 3/4 x 6 13/16 in. (12 x 17.3 cm)
The Metropolitan Museum of Art
AL
A Leopard, Moving to the Left (on a Base)
1736 · Pen and brown ink, brown wash, over traces of black chalk
4 7/16 x 6 7/16 in. (11.2 x 16.4 cm)
The Metropolitan Museum of Art
CI
Cattle in a Landscape
1736 · Pen and brown ink, brown wash, over black chalk
7 3/8 x 11 in. (18.7 x 28 cm)
The Metropolitan Museum of Art
CC
Centaur Carrying Off a Nymph
1736 · Pen and brown ink, light brown and gray-brown wash
10 3/4 x 11 3/4 in. (27.3 x 29.9 cm)
The Metropolitan Museum of Art
RP
Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida
1736 · Pen and brown ink, brown wash, over black chalk
8 11/16 x 7 1/16 in. (22 x 18 cm)
The Metropolitan Museum of Art
RE
Rinaldo Enchanted by Armida
1736 · Pen and gray ink, gray wash
9 3/8 x 6 1/2 in. (23.8 x 16.5 cm)
The Metropolitan Museum of Art
AO
An Old Man in Oriental Dress, Standing by a Pagan Altar
1736 · Point of the brush and brown ink
9 13/16 x 7 1/16 in. (25 x 18 cm)
The Metropolitan Museum of Art
AS
A Sea Horse and a Dolphin
1736 · Pen and brown ink, brown wash, over traces of black chalk
2 9/16 x 6 in. (6.5 x 15.3 cm)
The Metropolitan Museum of Art
MT
Meleager, Turning to the Left
1736 · Pen and brown ink, gray wash, over black chalk
10 7/8 x 6 3/4 in. (27.6 x 17.2 cm)
The Metropolitan Museum of Art
MT
Meleager, Turning to the Right
1736 · Pen and brown ink, gray wash, over black chalk
10 7/8 x 6 3/4 in. (27.6 x 17.2 cm)
The Metropolitan Museum of Art
TL
The Leopards' Cage at the Menagerie
1736 · Pen and brown ink, brown wash, over black chalk
11 5/16 x 5 11/16 in. (28.8 x 14.5 cm)
The Metropolitan Museum of Art
V(
Venus (?)
1736 · Pen and brown ink, gray wash, over black chalk
9 1/2 x 5 1/16 in. (24.2 x 12.8 cm)
The Metropolitan Museum of Art
The Holy Family Descending a Path near Shepherds
1727 · etching on laid paper [working proof]
sheet (cut within platemark): 18 x 24.2 cm (7 1/16 x 9 1/2 in.)
National Gallery of Art
Old Man with a Helmet
1727 · etching on laid paper
plate: 14.2 x 11.4 cm (5 9/16 x 4 1/2 in.) sheet: 17.5 x 14.8 cm (6 7/8 x 5 13/16 in.)
National Gallery of Art
The Marriage of Angelica and Medoro
1727 · etching on laid paper
sheet (trimmed to plate mark): 24 x 25.9 cm (9 7/16 x 10 3/16 in.)
National Gallery of Art
The Stoning of Saint Stephen
1727 · etching on laid paper
plate: 49 x 26.7 cm (19 5/16 x 10 1/2 in.)
National Gallery of Art
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