Artworks · Giovanni Battista Tiepolo

Bacchant, Satyr, and Fauness, from the Scherzi

1725 · Etching

Plate: 5 1/4 x 7 13/16 in. (13.3 x 19.8 cm)

The Metropolitan Museum of Art

Two Magicians and a Child, from the Scherzi

1725 · Etching

Plate: 5 1/2 x 7 3/8 in. (14 x 18.7 cm)

The Metropolitan Museum of Art

The Capture of Carthage

1725 · Oil on canvas

Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm)

The Metropolitan Museum of Art

The Battle of Vercellae

1725 · Oil on canvas

Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm)

The Metropolitan Museum of Art

Classical Figures Gathered around an Urn

1724 · pen and brown ink on laid paper; black chalk sketches of mostly architecture on verso

overall: 33 x 27 cm (13 x 10 5/8 in.)

National Gallery of Art

Three Angels Appearing to Abraham

1723 · Pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper

43.1 × 28.5 cm (17 × 11 1/4 in.)

Art Institute of Chicago

The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso)

1721 · pen and brown ink with brown wash over black chalk; unrelated (?) touches of red chalk on laid paper

sheet: 43.3 × 56.2 cm (17 1/16 × 22 1/8 in.)

National Gallery of Art

The Temptation of Saint Anthony

1720 · Pen and brown ink and brush and brown wash, with black chalk and traces of charcoal, heightened with touches of white gouache, on ivory laid paper

40 × 24.7 cm (15 3/4 × 9 3/4 in.)

Art Institute of Chicago

Musician Angels

1719 · Pen and brown ink, with brush and gray wash, on cream laid paper

18.4 × 25.6 cm (7 1/4 × 10 1/8 in.)

Art Institute of Chicago

Saint Anthony of Padua

1719 · Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper

18.3 × 14.5 cm (7 1/4 × 5 3/4 in.)

Art Institute of Chicago

The Fall of the Rebel Angels

1717 · pen and brown ink with gray wash over black chalk, and pen and black ink with gray wash; scattered unrelated touches of red chalk on left

overall: 34.5 × 46.7 cm (13 9/16 × 18 3/8 in.)

National Gallery of Art

Right Hand

1716 · Red chalk, heightened with touches of white chalk, on blue laid paper

19 × 19.6 cm (7 1/2 × 7 3/4 in.)

Art Institute of Chicago

Holy Family with St. John and Two Angels

1716 · Pen and brown ink and brush and brown ink wash on ivory laid paper

25.8 × 20 cm (10 3/16 × 7 7/8 in.)

Art Institute of Chicago

Adoration of the Magi

1710 · Pen and brown ink, brush with pale and dark brown wash, over black chalk

16-7/16 x 11-7/16 in. (41.8 x 29 cm)

The Metropolitan Museum of Art

The Meeting of Abraham and Melchizedek

1709 · Pen and brown ink, brush and brown and gray wash, over black chalk, on ivory laid paper

37 × 51.1 cm (14 5/8 × 20 1/8 in.)

Art Institute of Chicago

De Waarheid en de Tijd

1706 · brush on chalk, paper, ink

height: 208 cm, width: 198 cm

Rijksmuseum

Ontwerp voor een titelblad met Pax en Justitia

1706 · brush on paper, chalk, ink

height: 335 cm, width: 214 cm

Rijksmuseum

Knielende heiligen Nicolaas en Dominicus bij een ten hemel varende Maria

1706 · pen on chalk, paper, ink

height: 182 cm, width: 265 cm

Rijksmuseum

Three figures and a snake coiled around a staff, surrounded by a landscape, the central figure rests his left hand on a shield and leans toward a bearded figure holding a book, from the series 'The Capricci'

1705 · Etching

sheet: 5 3/16 x 6 13/16 in. (13.1 x 17.3 cm)

The Metropolitan Museum of Art

Head of a Young Man in Three-Quarter View

1705 · Red chalk, highlighted with white chalk, on blue-gray paper

Sheet: 10 3/8 x 7 1/2 in. (26.4 x 19 cm)

The Metropolitan Museum of Art

Seated Woman Crowned by Angel

1700 · Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper

23.9 × 13.7 cm (9 7/16 × 5 7/16 in.)

Art Institute of Chicago

Head of a Young Man in Profile

1696 · red chalk with white heightening on blue paper

actual: 20.32 x 22.86 cm (8 × 9 in.) overall: 44 × 35.5 × 1 cm (17 5/16 × 14 × 3/8 in.)

National Gallery of Art

Standing Figure Wearing a Hat

1696 · pen and black ink with gray wash on laid paper

sheet: 18.5 × 10.9 cm (7 5/16 × 4 5/16 in.), corners removed

National Gallery of Art

Standing Man in Sixteenth-Century Costume

1696 · pen and brown ink with brown wash on laid paper

overall: 24.8 x 14.4 cm (9 3/4 x 5 11/16 in.)

National Gallery of Art

Philosopher Seated, with Globe, Book, and Compass

1696 · etching

National Gallery of Art

Magician and Other Figures before a Burning Altar with Skull and Bones

1696 · etching, reworked with pen and brown ink, and opaque white and gray wash

National Gallery of Art

Seated Woman and Standing Man Surrounded by Other Figures and Paraphernalia

1696 · etching, with pen and brown ink added to tree trunk behind foremost seated woman

plate: 22.2 x 17.5 cm (8 3/4 x 6 7/8 in.)

National Gallery of Art

Two Turbaned Magicians and a Boy

1696 · etching

National Gallery of Art

Seated Magician with Other Figures beside an Altar

1696 · etching

National Gallery of Art

Magician and Others Regarding a Serpent

1696 · etching

plate: 22.9 x 17.8 cm (9 x 7 in.)

National Gallery of Art

Capitulation of a Town

1696 · pen and brown ink with brown wash over black chalk on laid paper

overall: 38.8 x 24.5 cm (15 1/4 x 9 5/8 in.)

National Gallery of Art

Youth, Sage, and Attendant with Horse

1696 · etching

National Gallery of Art

Caricature of a Man, Full Length, Facing Front

1696 · Pen and brown ink with brush and brown wash, on ivory laid paper

19.5 × 13.3 cm (7 11/16 × 5 1/4 in.)

Art Institute of Chicago

River God with an Oar, Woman Holding a Serpent, and a Standing Nude Boy

1696 · Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk

10 1/16 x 9 5/16in. (25.6 x 23.7cm)

The Metropolitan Museum of Art

Zephyr and Flora

1696 · Pen and dark brown ink, brush with pale and dark brown wash, over black chalk

9 x 9 in. (22.9 x 22.8 cm)

The Metropolitan Museum of Art

Time Seated, with Two Attendant Figures

1696 · Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk

9-3/4 x 13-15/16 in. (24.7 x 35.4 cm)

The Metropolitan Museum of Art

Seated Man Turned Towards the Left Seen from Below

1696

The Metropolitan Museum of Art

Illustration for a Book: Attacks on the Walls of a City

1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk

3 x 6-1/16 in. (7.6 x 15.4 cm)

The Metropolitan Museum of Art

Illustration for a Book: Pope Handing a Banner to a Crusader, with Ships in the Background

1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk

3-1/16 x 6-1/8 in. (7.8 x 15.6 cm)

The Metropolitan Museum of Art

Illustration for a Book: Queen of Port City Receiving Envoys

1696 · Black chalk, reworked with traces of red chalk. Horizontal and vertical centering lines ruled in faint black chalk

3-1/8 x 6-3/16 in. (8.0 x 15.7 cm)

The Metropolitan Museum of Art

Illustration for a Book: Troops Advancing toward a City Gate

1696 · Graphite or black chalk. Horizontal and vertical centering lines and another vertical line in graphite or black chalk ruled at 1 cm to the left border

3-3/8 x 6-3/4 in. (8.6 x 17.2 cm)

The Metropolitan Museum of Art

Illustration for a Book: Battle by the Sea Coast

1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk

3 x 6-1/16 in. (7.6 x 15.4 cm)

The Metropolitan Museum of Art

Illustration for a Book: Figures in Conversation in a Garden

1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk

2-7/8 x 7-1/8 in. (7.3 x 18.1 cm)

The Metropolitan Museum of Art

Illustration for a Book: Meeting Between a Pope and Doge

1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk

2-13/16 x 6-1/4 in. (7.2 x 15.8 cm)

The Metropolitan Museum of Art

Illustration for a Book: Frontispiece with a Female Allegorical Figure (Religion?) and a Putto

1696 · Black chalk, reworked with traces of red chalk. Horizontal and vertical centering lines ruled in faint black chalk

5-1/8 x 7-1/2 in. (13 x 19 cm)

The Metropolitan Museum of Art

An Eagle with Wings Spread

1696 · Charcoal, heightened with white chalk, on blue paper

13-11/16 x 9-3/4 in. (34.7 x 24.8 cm)

The Metropolitan Museum of Art

Scherzo di Fantasia: Two Standing Orientals and a Standing Youth with a Sword

1696 · Pen and dark brown ink, brush with pale and dark brown wash, over traces of black chalk

13-11/16 x 9-15/16 in. (34.7 x 25.2 cm)

The Metropolitan Museum of Art

Scherzo di Fantasia: Standing Warrior and King with Five Attendants

1696 · Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk

13-7/8 x 10-15/16 in. (35.2 x 27.8 cm)

The Metropolitan Museum of Art