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← Giovanni Battista Tiepolo
Artworks · Giovanni Battista Tiepolo
317 artworks · page 5 of 7
📷 With images only (126)
BS
Bacchant, Satyr, and Fauness, from the Scherzi
1725 · Etching
Plate: 5 1/4 x 7 13/16 in. (13.3 x 19.8 cm)
The Metropolitan Museum of Art
TM
Two Magicians and a Child, from the Scherzi
1725 · Etching
Plate: 5 1/2 x 7 3/8 in. (14 x 18.7 cm)
The Metropolitan Museum of Art
The Capture of Carthage
1725 · Oil on canvas
Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm)
The Metropolitan Museum of Art
The Battle of Vercellae
1725 · Oil on canvas
Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm)
The Metropolitan Museum of Art
Classical Figures Gathered around an Urn
1724 · pen and brown ink on laid paper; black chalk sketches of mostly architecture on verso
overall: 33 x 27 cm (13 x 10 5/8 in.)
National Gallery of Art
Three Angels Appearing to Abraham
1723 · Pen and brown ink and brush and brown and gray wash, over black chalk, on ivory laid paper
43.1 × 28.5 cm (17 × 11 1/4 in.)
Art Institute of Chicago
The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso)
1721 · pen and brown ink with brown wash over black chalk; unrelated (?) touches of red chalk on laid paper
sheet: 43.3 × 56.2 cm (17 1/16 × 22 1/8 in.)
National Gallery of Art
The Temptation of Saint Anthony
1720 · Pen and brown ink and brush and brown wash, with black chalk and traces of charcoal, heightened with touches of white gouache, on ivory laid paper
40 × 24.7 cm (15 3/4 × 9 3/4 in.)
Art Institute of Chicago
Musician Angels
1719 · Pen and brown ink, with brush and gray wash, on cream laid paper
18.4 × 25.6 cm (7 1/4 × 10 1/8 in.)
Art Institute of Chicago
Saint Anthony of Padua
1719 · Pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper
18.3 × 14.5 cm (7 1/4 × 5 3/4 in.)
Art Institute of Chicago
The Fall of the Rebel Angels
1717 · pen and brown ink with gray wash over black chalk, and pen and black ink with gray wash; scattered unrelated touches of red chalk on left
overall: 34.5 × 46.7 cm (13 9/16 × 18 3/8 in.)
National Gallery of Art
Right Hand
1716 · Red chalk, heightened with touches of white chalk, on blue laid paper
19 × 19.6 cm (7 1/2 × 7 3/4 in.)
Art Institute of Chicago
Holy Family with St. John and Two Angels
1716 · Pen and brown ink and brush and brown ink wash on ivory laid paper
25.8 × 20 cm (10 3/16 × 7 7/8 in.)
Art Institute of Chicago
AO
Adoration of the Magi
1710 · Pen and brown ink, brush with pale and dark brown wash, over black chalk
16-7/16 x 11-7/16 in. (41.8 x 29 cm)
The Metropolitan Museum of Art
The Meeting of Abraham and Melchizedek
1709 · Pen and brown ink, brush and brown and gray wash, over black chalk, on ivory laid paper
37 × 51.1 cm (14 5/8 × 20 1/8 in.)
Art Institute of Chicago
De Waarheid en de Tijd
1706 · brush on chalk, paper, ink
height: 208 cm, width: 198 cm
Rijksmuseum
Ontwerp voor een titelblad met Pax en Justitia
1706 · brush on paper, chalk, ink
height: 335 cm, width: 214 cm
Rijksmuseum
Knielende heiligen Nicolaas en Dominicus bij een ten hemel varende Maria
1706 · pen on chalk, paper, ink
height: 182 cm, width: 265 cm
Rijksmuseum
TF
Three figures and a snake coiled around a staff, surrounded by a landscape, the central figure rests his left hand on a shield and leans toward a bearded figure holding a book, from the series 'The Capricci'
1705 · Etching
sheet: 5 3/16 x 6 13/16 in. (13.1 x 17.3 cm)
The Metropolitan Museum of Art
HO
Head of a Young Man in Three-Quarter View
1705 · Red chalk, highlighted with white chalk, on blue-gray paper
Sheet: 10 3/8 x 7 1/2 in. (26.4 x 19 cm)
The Metropolitan Museum of Art
Seated Woman Crowned by Angel
1700 · Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper
23.9 × 13.7 cm (9 7/16 × 5 7/16 in.)
Art Institute of Chicago
Head of a Young Man in Profile
1696 · red chalk with white heightening on blue paper
actual: 20.32 x 22.86 cm (8 × 9 in.) overall: 44 × 35.5 × 1 cm (17 5/16 × 14 × 3/8 in.)
National Gallery of Art
Standing Figure Wearing a Hat
1696 · pen and black ink with gray wash on laid paper
sheet: 18.5 × 10.9 cm (7 5/16 × 4 5/16 in.), corners removed
National Gallery of Art
Standing Man in Sixteenth-Century Costume
1696 · pen and brown ink with brown wash on laid paper
overall: 24.8 x 14.4 cm (9 3/4 x 5 11/16 in.)
National Gallery of Art
Philosopher Seated, with Globe, Book, and Compass
1696 · etching
National Gallery of Art
Magician and Other Figures before a Burning Altar with Skull and Bones
1696 · etching, reworked with pen and brown ink, and opaque white and gray wash
National Gallery of Art
Seated Woman and Standing Man Surrounded by Other Figures and Paraphernalia
1696 · etching, with pen and brown ink added to tree trunk behind foremost seated woman
plate: 22.2 x 17.5 cm (8 3/4 x 6 7/8 in.)
National Gallery of Art
Two Turbaned Magicians and a Boy
1696 · etching
National Gallery of Art
Seated Magician with Other Figures beside an Altar
1696 · etching
National Gallery of Art
Magician and Others Regarding a Serpent
1696 · etching
plate: 22.9 x 17.8 cm (9 x 7 in.)
National Gallery of Art
Capitulation of a Town
1696 · pen and brown ink with brown wash over black chalk on laid paper
overall: 38.8 x 24.5 cm (15 1/4 x 9 5/8 in.)
National Gallery of Art
Youth, Sage, and Attendant with Horse
1696 · etching
National Gallery of Art
Caricature of a Man, Full Length, Facing Front
1696 · Pen and brown ink with brush and brown wash, on ivory laid paper
19.5 × 13.3 cm (7 11/16 × 5 1/4 in.)
Art Institute of Chicago
RG
River God with an Oar, Woman Holding a Serpent, and a Standing Nude Boy
1696 · Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk
10 1/16 x 9 5/16in. (25.6 x 23.7cm)
The Metropolitan Museum of Art
ZA
Zephyr and Flora
1696 · Pen and dark brown ink, brush with pale and dark brown wash, over black chalk
9 x 9 in. (22.9 x 22.8 cm)
The Metropolitan Museum of Art
TS
Time Seated, with Two Attendant Figures
1696 · Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk
9-3/4 x 13-15/16 in. (24.7 x 35.4 cm)
The Metropolitan Museum of Art
SM
Seated Man Turned Towards the Left Seen from Below
1696
The Metropolitan Museum of Art
IF
Illustration for a Book: Attacks on the Walls of a City
1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
3 x 6-1/16 in. (7.6 x 15.4 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Pope Handing a Banner to a Crusader, with Ships in the Background
1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
3-1/16 x 6-1/8 in. (7.8 x 15.6 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Queen of Port City Receiving Envoys
1696 · Black chalk, reworked with traces of red chalk. Horizontal and vertical centering lines ruled in faint black chalk
3-1/8 x 6-3/16 in. (8.0 x 15.7 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Troops Advancing toward a City Gate
1696 · Graphite or black chalk. Horizontal and vertical centering lines and another vertical line in graphite or black chalk ruled at 1 cm to the left border
3-3/8 x 6-3/4 in. (8.6 x 17.2 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Battle by the Sea Coast
1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
3 x 6-1/16 in. (7.6 x 15.4 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Figures in Conversation in a Garden
1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
2-7/8 x 7-1/8 in. (7.3 x 18.1 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Meeting Between a Pope and Doge
1696 · Black chalk. Horizontal and vertical centering lines ruled in faint black chalk
2-13/16 x 6-1/4 in. (7.2 x 15.8 cm)
The Metropolitan Museum of Art
IF
Illustration for a Book: Frontispiece with a Female Allegorical Figure (Religion?) and a Putto
1696 · Black chalk, reworked with traces of red chalk. Horizontal and vertical centering lines ruled in faint black chalk
5-1/8 x 7-1/2 in. (13 x 19 cm)
The Metropolitan Museum of Art
AE
An Eagle with Wings Spread
1696 · Charcoal, heightened with white chalk, on blue paper
13-11/16 x 9-3/4 in. (34.7 x 24.8 cm)
The Metropolitan Museum of Art
SD
Scherzo di Fantasia: Two Standing Orientals and a Standing Youth with a Sword
1696 · Pen and dark brown ink, brush with pale and dark brown wash, over traces of black chalk
13-11/16 x 9-15/16 in. (34.7 x 25.2 cm)
The Metropolitan Museum of Art
SD
Scherzo di Fantasia: Standing Warrior and King with Five Attendants
1696 · Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk
13-7/8 x 10-15/16 in. (35.2 x 27.8 cm)
The Metropolitan Museum of Art
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